Núria R. T.

This work examines at sound as an inhabitant of space, proposing the mechanistic noises of church-bell restoration as channels for traces of absence and loss, imagining notions of the spiritual sublime in the materiality of tuned metal. From the darkness of the bell tower, images take surreal turns as sound curls into places we can only imagine; the slivery well of an inverted bell, the spiral of an empty snail shell.